Donatello
The Great Florentine sculptor.
Born in 1386 Donatello
was the greatest Florentine sculptor of his age,and had
worked in the studio of Lorenzo Ghiberti.
In his early years he worked in Rome with
Fillipo Brunelleschi, escavating and studying in the ancient
city. The lessons that these two artistic giants learned in Rome became
important for the future development of Italian art.
Ghiberti is famous for winning the
competition to design the doors for the Baptistery in Florence. The
artist assisted Gilberti with some of the work on these doors and had
also received artistic training in a goldsmith's workshop. In fact
Donatello had earned a living during his time in Rome by working in
goldsmiths shops.
The statue of St George, made in about
1420, is one of the most important works in his development. In this
work the sculptor had broken with the Gothic style of statues and their
solemn rows of saints. St George is totally real, steadfast, and
determined in his defiance of any enemy that may approach.
"St
George"
1415-16
marble hight 209 cm. (W)
The figures of St George, St Mark and
St Louis of Toulouse, were commissioned by the various wealthy
Florentine guilds, to fill the niches around the church of Orsanmichele
in Florence.
The statue of Zuccone was
created for the decoration of Florence Cathedral. There is a famous
story that Donatello kept saying 'speak, speak' as he sculptured it.
( I hope he wasn't too
disapointed when the statue failed to 'speak'.)

The Annunciation c.1433
The annunciation is carved from limestone. It is a
sensually pleasing work and it's gentleness is in stark contrast to the
harshness and brutality of his Feast of Herod and Zuccone figures. This
delightful image can be seen in the nave of Santa Croce in Florence.
The statue of St Louis was Donatello's
first experiment in bronze casting. It was a great success, St Louis is
portraid as a bishop with the flowing garments of his rank
adding to the solidity of the figure.
The artist achieved great fame in his
own lifetime and was often called upon to work for other Italian
cities. In 1427 he was commissioned to make a bronze relief for a font
at Sienna. His subject was "The Feast of Herod" a scene from the life
of St John the Baptist.
This work shows the moment when Salome
asks Herod for the head of John as a reward for her dancing, and gets
it. The executioner kneels carrying the head of the saint on a platter
and the King recoils in horror.

"The
Feast of Herod"
1423-7 gilt bronze 60x60 cm (S)
In 1443 the sculptor was in Padua and
executed his statue of Erasmo on horseback, better known as
"Gattamelata" ( the honey cat ). Erasmo of Narni was a famous
mercanary soldier who fought for many Italian city-states. He became
dictator of the city of Padua in 1437 and died the same year that
Donatello completed this work.
The Gattamelata was the first equestrian statue to
adhorn a public place since ancient times and it became the model for
future equestrian statues throught much of Europe.

"Gattamelata"
(W)
The sculpor's statue of David made in
the 1440s was the first male nude statue since classical times, it was
also the first freestanding work to be cast in bronze of the Italian
Renaissance.
It is interesting to note that the
influences of renaissance sculpture have evolved into the modern day
forms that we admire today.
One example is the work of Dr Jan Maureen White,
view her sculptures and paintings on her excellent website.

"David"
(s)
Personal opinion:-
This is a strange pose for a
man/woman! The statue looks very effeminate and has an almost comical
quality. Has the young male/female wondered into a theatrical cloakroom
and dressed themselves in whatever was available?
However the carving of the
figure is wonderful and Donatello has attempted to capture a
prepubescent youth who is yet to mature into adulthood.
Click on the picture to go to
the "Three
Davids" page and compare the statues.
Donatello died 1466 and was buried in
the Basilica of San Lorenzo in Florence.
Italian
Renaissance Art- Home
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