Michelangelo
Sculptures.
Michelangelo Buonarroti is without doubt
the most revered sculptor of the Renaissance period and, despite his
fresco work in The Sistine Chapel, he always considered himself to be a
sculptor rather than a painter.
He was raised in Florence but had lived
with a stonecutter and his wife during his mothers long illness, and
also for some time after her death.
This early introduction to the
stonecutters trade fed Michelangelo's interest in sculpture and he
studied at the school of Lorenzo de' Medici under the guidance of
Bertoldo di Giovanni. Two of his first sculptures are 'The
Madonna of the Stairs', and 'The
Battle of the Centaurs'.

Bacchus,
1496-1497 Bargello Museum, Florence. (s)
The
twenty-two-year-old artist has captured the unsteady, drunken ancient
god of wine attempting to balance his wine cup despite his awkward,
lurching posture. This statue was not well received by Michelangelo's
patron, Cardinal Raffaele Riario, who found the work distasteful.

'Pietà',
St Peters, Rome. 1499–1500. (s)
What
a contrast to the Bacchus, the god with the all too human defects! The
Rome Pieta is an emotionally charged incarnation of a mother cradling
her lifeless son. It is an almost universally loved portrayal of the
Virgin and Christ.

'David',
1501-1504 Gallery of the Academy of Fine Arts.
(w)
The
statue on the Piazza della Signoria is a copy.
Personal
opinion:-
Yes, I know it's probably the
most recognized statue in the world and it's sometimes overlooked
because the image is so familiar; but try to look at this work with
fresh eyes and I think you will agree; it's just perfect!
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The art historian Giorgio Vasari wrote:
"
Without any doubt this figure has put in the shade every other statue,
ancient or modern, Greek or Roman... To be sure,anyone who has seen
Michelangelo's David has no need to see anything else by any other
sculptor, living or dead."
Do you get the impression that Vasari was quite
taken with this statue? |
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The Bruges Madonna.
Named
because it was commissioned by a group of merchants from that city.
This is one of the artists lesser known works and was in fact described
as being made of bronze by Michelangelo's biographer, Ascanio
Condivi. |
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Madonna
and Child, 1501-1504. Marble, height 128 cm
Bruges,
Onze Lieve Vrouwekerk. (w)
Michelangelo
Sculptures:-
The Tomb of
Pope Julius II. 1505-1545.
San
Pietro in Vincoli on the Esquiline in Rome. (s)
Michelangelo designed at least six
different styles for this monument. The artist was given the commission
by Julius with the promise of a huge payment of 10,000 ducats, an
astronomical amount of money at the time. The scale of the project was
reduced over the forty year period from conception to completion,
however the tomb contains some magnificent statues, and remains as a
fine example of renaissance art.
Only
the three figures at the bottom of the tomb (Rachel, Moses and Leah)
are by Michelangelo, two figures of slaves intended for the tomb are
now in the Louvre Museum in Paris.
'Moses',
1513–1515.
(w)
Intended for
Pope Julius II funeral monument this magnificent work was designed to
be the central figure of the mausoleum.

Dying Slave.
(s)
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Rebellious Slave.
1513-1520 (s)
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Both
works were created between 1513-1520 for the base of the tomb of Pope
Julius II. The statues can now be seen in the Louvre Paris.

Rachel. (w)
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Leah. (w)
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These
two figures flank the statue of Moses, both are over six feet high but
do not compete with the central figure. (Moses, over eight feet tall)
Michelangelo
Sculptures:-
The Medici
Chapel Statues. 1520-1534
San Lorenzo,
Florence.
This
monumental work was a combination of Michelangelo's skills in
architecture and sculpture. It had long been an ambition of
the
artist to utilize these skills within the same artistic framework and
his work in the Medici Chapel realized that ambition.
The Tomb of Lorenzo, with the male Dusk
and female Dawn. (s)
The Tomb of Giuliano, with the female
Night and the male Day. (s)

"Giuliano
de'Medici" (s)
Giuliano
was murdered in 1478 and this statue is an idealized, heroic depiction,
created in the classical style by Michelangelo.
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Lorenzo de Medici
(s)
This is
of Lorenzo, Duke of Urbino, and not
Lorenzo the Magnificent who was the most important member of
the Medici family.
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The
Deposition ("The Florentine Pietà") Michelangelo, c. 1550 Marble,
height 226 cm Florence, Museo dell'Opera del Duomo
(w)
Michelangelo
tried to destroy this work because the marble was defective, and the
statue remains unfinished.
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