Paolo Veronese.

The Venetian artist Paolo Cagliari, known as Veronese after his birthplace in the city of Verona, was born  in 1528. His father Gabriele was a stonecutter by trade and by the age of fourteen his son was apprenticed to a local artist Antonio Badile. The talented young Paolo began to develop his own style including a lighter and more colourful palette. He left Badile's workshop in 1543.

  The artist then moved to the city of Mantua in the province of Lombardy and completed frescoes in the city's cathedral. He arrived in Venice in 1552/53 and it is in Venice and the surrounding regions that he created his most memorable works.

Works in Venice.

 Titian was the established master in Venice but his later contemporaries included Tintoretto and of course, Veronese. Paolo decorated the Sala dei Cosiglio dei Dieci and the Sala dei Tre Capi del Consiglio.

 His ceiling paintings for the Doge's Palace and the Marciana Library established him as a master of Venetian painting. He was even awarded a prize for his work by the famous Titian.


 The architect Andrea Palladio had completed a villa for the Barbaro family in Maser, and Paolo was invited to decorate the villa with frescoes. The decoration included portraits of the Barbaro family, with the ceilings painted with mythological figures, the work is the artist's most important fresco cycle and was a great success for both artist and architect.

 

 

The monks of the San Giorgio Maggiore Monastery in Venice commissioned Veronese to produce a huge painting The Marriage at Cana. The work began in 1562 and was completed barely a year later in 1563.

The Marriage at Cana,
Height 6.77m Width 9.94
( Detail ) Louvre Paris. (w)


Marriage at Cana (detail) Veronese

 Between 1565 and 1570 Veronese painted another of his monumentally large works. Alexander and the family of Darius depicts the Persian king Darius before Alexander the Great after the battle of Issus. The painting is once again rich in colour but is more decorative than The Cana work with less depth. This is emphasized by the parallel column of architecture that forms the background to the work.

Alexander and the family of Darius by Veronese

Alexander and the family of Darius. 1570. National Gallery London. (s)

 He married Elena Badile in 1565. She was the daughter of his first master Antonio Badile and it would seem that the artists personal life was a happy one the union produced four sons and a daughter. 

 His painting for the Basilica di Santi Giovanni e Paolo, The Last Supper, contained not only the Biblical scene, but exotic dwarves and soldiers in addition to an array of animals. This was typical of the narrative quality associated with his paintings. 

 The work was completed in 1573. However the inquisition summoned Paolo to explain his inclusion of the exotic within the context of a religious picture. The artists solution to this tricky problem was to simply rename the painting and it is now known as the Feast in the House of Levi.

Feast in the House of Levi (giving an idea of scale) Veronese

Feast in the House of Levi. 1573. (p)

This photograph of the painting, taken in the Accademia Galleries in Venice, gives some indication of the huge scale of this masterpiece. The figures are life size as emphasised by the art lover (me) who views the work from a distance of no more than a few feet.   

Marriage of St Catherine by Veronese

Marriage of St Catherine. 1575. (s) 

Venice Accademia.

 This was painted for the Altar of the church of Santa Caterina in Venice.

Allegory of Love 1 Infidelity, Veronese

Allegory of Love I Infidelity. National Gallery, London.
1575 Medium oil on canvas Dimensions 189.9 × 189.9 cm (74.8 × 74.8 in)

This is the first of a set of four paintings produced by the artist exploring the allegory of love. All four can be seen in the National Gallery in London.

Veronese died in Venice on April 9th 1588 . He left behind a productive family workshop headed by himself and including his brother Benedetto and two of his sons Carlo and Gabrielle. The workshop continued to flourish after the  artist's death.