Veronese.
The Venetian
artist Paolo Cagliari, known as Veronese after his birthplace in the
city of Verona, was born in 1528. His father Gabriele was a
stonecutter by trade and by the age of fourteen Veronese was
apprenticed to a local artist Antonio Badile. The talented young Paolo
began to develop his own style including a lighter and more colourful
palette. He left Badile's workshop in 1543.
The artist then moved to the city of
Mantua in the province of Lombardy and completed frescoes in the city's
cathedral. He arrived in Venice in 1552/53 and it is in Venice
and the surrounding regions that he created his most memorable works.
Works
in Venice.
Titian
was the established master in Venice but his later contemporaries
included Tintoretto and of course, Veronese. Paolo decorated the
Sala dei Cosiglio dei Dieci and
the
Sala dei Tre Capi del Consiglio. His
ceiling paintings for the Doge's
Palace and the Marciana Library established him as a master of Venetian
painting. He was even awarded a prize for his work by the famous Titian.
The architect Andrea Palladio
had completed a villa for the Barbaro family in Maser, and Paolo was
invited to decorate the villa with frescoes. The decoration included
portraits of the Barbaro family, with the ceilings painted with
mythological figures, the work is the artist's most important fresco
cycle and was a great success for both artist and architect. 
The monks of the San Giorgio
Maggiore Monastery in Venice commissioned Veronese to produce a huge
painting The
Marriage at
Cana. The work began in 1562 and was completed
barely a
year later in 1563.
The
Marriage at Cana, Hight 6.77m Width 9.94
( Detail ) Louvre Paris.
(w)
(click on the detail image for the full painting,)
Between 1565 and 1570 Veronese painted
another of his monumentally large works. Alexander and the family of
Darius
depicts the Persian king Darius before Alexander the Great after
the battle of Issus. The painting is once again rich in colour
but is more decorative than The Cana work with less depth. This is
emphasized by the parallel column of architecture that forms the
background to the work.
Alexander
and the family of
Darius. 1570. National Gallery London. (s)
He married Elena Badile in 1565.
She was the daughter of his first master Antonio
Badile and it would seem that the artists personal life was a happy one
the union produced four sons and a daughter.
His painting for the
Basilica di Santi Giovanni e Paolo, The Last Supper, contained not only
the Biblical scene, but exotic dwarves and soldiers in addition to an
array of animals. This was typical of the narrative quality associated
with his paintings.
The work was completed in 1573. However
the
inquisition summoned Paolo to explain his inclusion of the exotic
within the context of a religious picture. The artists solution to this
tricky problem was to simply rename the painting and it is now known as
the Feast in the House of Levi.

Feast
in the House of Levi. 1573. (w)
Veronese
died in Venice on April 9th
1588 . He left behind a productive family workshop headed by himself
and including his brother Benedetto and two of his sons Carlo and
Gabrielle. The workshop continued to flourish after the the artist's
death.

Marriage
of St Catherine. 1575. (s)
Venice
Accademia.
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