Fra Angelico.
The Patron of Catholic Artists.
Fra Angelico's exact date of birth is
not known, but 1395 up to about 1400 is the accepted estimate. He was
known in Italy as Beato Angelica (the blessed).
In 1418 he became a Dominican Friar at
the Carmine under his birth name of Guido di Pietro. He was based at
Fiesole a town in the Provence of Florence. He
was initially trained as an illuminator working with Benedetto, his
older brother. He also nurtured a deeply religious love of humanity,
and a sense of humility before his God. This devotion to his religion
and his art shaped the artists vision of the world and proved to be the
driving force throughout Fra Angelico's life.
At the convent in Fiesole he executed
several frescoes, many are now sadly lost, including the fine Virgin
and Child with Saints.

Virgin
and Child with Saints. Fiesole, Italy. (w)
San Marco Florence.
In
1436 "Beato" moved to the newly-built monastery of San Marco in
Florence. His growing skill and reputation as an artist attracted a
powerful and wealth patron, Cosimo de Medici. Cosimo had a large cell
reserved for himself at the monastery, a place, no doubt, where he
could escape the intrigues of political life. It was Cosimo
who commissioned Beato's decoration of the monastery.
The artist painted a sacred scene in
each monks cell and at the end of every corridor. These paintings are
among his finest and most beautiful works, and are influenced by the
work of Masaccio.
San Marco Altarpiece (w)
Commissioned by the Medici
family in 1440.
The monastery is now a museum and
contains the major collection of works by Fra Angelico. In addition
other artists represented at the museum include
Domenico
Ghirlandaio and Fra Bartolomeo.
The San Marco altarpiece
is
rightly famous for Angelico's use of perspective, the lines of the
carpet and the various overlapping saints all add to the sense of depth
within the picture space. The crucifix at the front center of the
painting is intended to look like a separate image and Angelico has
mastered the optical illusion to great effect.

The
Annunciation. (w)
This is one of the most
reproduced of all Fra Angelico's works from the Monastery at San Marco.
It is just one of his many Annunciations.

The Last
Judgment. (w)
A colorful depiction of judgment day,
on one side the saved are reunited with their loved ones in heaven, on
the other, the the damned are destined for hell! Note the open
tombs in the center of the painting as the dead are resurrected to
await judgment.
Rome, The Niccoline Chapel.
In 1447 the artist painted the private
chapel of Nicholas V in Rome. His theme was the lives of St Lawrence
and St Stephen. It is highly likely that some of the work on these
frescoes was completed by assistants.

St Lawrence
receiving the Treasures of the Church.
Beato died in Rome in 1455 and was buried in the
church of Santa Maria sopro Minerva.
The artist was beatified (the third of
the four steps to canonization) on October 3rd 1982 by Pope John Paul
II, and he was declared patron of Catholic artists in 1984.
He also has a hazelnut liqueur
"Frangelico" named in his honour, truly a measure of the artist's
lasting popularity.
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