Born in Florence in 1435 Andrea del Verrocchio trained as a goldsmith. He was multi-talented and, in addition to his metalworking prowess, was very proficient in the skills of painting and sculpture.
He established his own workshop which became very popular with the Medici, those great patrons of Italian art. Andrea, his pupils and assistants, managed a large workload of multiple commissions.
Painted in c. 1469, of all Verrocchio's paintings the Madonna and Child is my personal favourite. The work was once owned by the 19th-century art critic John Ruskin, hence the secondary title.
Speculation about the attribution to Verrocchio has raged for many years, possibly because of his many talented pupils. It could prove to be the product of his workshop with involvement by the hand of the master himself.
The artists use of perspective is evident in this picture. Look how well he has painted the architecture, with the ground receding to a vanishing point somewhere beyond the wall in the background. Also, the arch gives a tantalising glimmer of the open space in the distance.
A beautifully composed work.
Tobias and the Angel have been attributed to Verrocchio's workshop so how much is by the master himself and which parts are painted by his pupils is a matter of opinion. Certainly, Leonardo da Vinci may have painted some of the details such as the fish or the dog.
Andrea's Baptism of Christ, painted in 1474-1475, is famous because his chief assistant on the work was none other than Leonardo da Vinci. Da Vinci completed the background and the angel on the left of the picture.
It has been suggested that Verrocchio’s pupil, Leonardo da Vinci may have had a hand in creating The Lady with the Primroses.
Although no sculptures by Leonardo are known to
survive some point to similarities between this and some of Leonardo’s female portraits.
Between 1473 and 1475 Andrea executed a bronze statue of the young David, depicted holding a sword with the head of the slain Goliath at his feet. Popular legend claims that the model for this work is Andrea's pupil Leonardo da Vinci.
Andrea's wonderful carving skills are apparent in this close up of the severed head of the giant Goliath.
Verrocchio was the master to many important pupils it is perhaps not too surprising that many of his works can be difficult to authenticate. His most famous apprentice was of course Leonardo da Vinci and because Leonardo is possibly the most famous artist on the planet – and the most lucrative - finding works that Leonardo may have had a hand in creating is very tempting indeed.
Such is the case concerning Verrocchio’s Terracotta Angels. The clamour to attribute a work to Da Vinci, if proven, can be extremely financially rewarding and so the desperation to find a sculpture by Leonardo’s hand continues unabated.
The Terracotta Angels remain as a sculpture by Andrea del Verrocchio.
The equestrian statue of Bartolomeo Colleoni is Verrocchio's most famous work and was commissioned by the Republic of Venice in 1478. The artist submitted a wax model of the work in 1488 and he moved to Venice to oversee the casting of the statue.
Verrocchio has placed the general in a bold upright pose. Both the horse and the face of Colleoni have been studied in minute detail and the strong facial details add to the air of grandeur that permeates the piece.
was a general who led the Venetian army, looking at Verrocchio’s statue one can
imagine the general proudly leading his men into battle.
Verrocchio fell ill and unfortunately did not get to see this famous statue, he died in 1488 before the work could be finished.
An artist who has been largely overshadowed by his famous pupil, Leonardo da Vinci, Andrea del Verrocchio is one of the most important figures of the Italian Renaissance.
His influence on the generation of artists who followed him cannot be underestimated and he deserves his place at the high table of art history.