The Birth of Venus is probably Botticelli's most famous painting. The picture is painted on canvas a less expensive alternative to a wooden support, this would suggest that the Venus was intended for a less formal setting than a Palace.
It hung at Castello in the country villa of the Medici along with another of the artist's mythological offerings the "Primavera" this would indicate that the work was commissioned by the Medici family. However, we do not know which member of that family was responsible for commissioning the painting.
Venus is depicted standing upright in an oversized clamshell, her posture is unstable and off balance, her hands attempt to modestly cover her statuesque beauty as her long, golden hair billows in the breeze. Roses float from the sky in a reference to their origin which supposedly coincided with the birth of the Goddess.
She rises from the sea looking like a classical statue and floating on a seashell in what is surely one of the most recognisable images in the history of art.
On Venus' right is Zephyrus, God of Winds, he carries with him the gentle breeze Aura and together they blow the Goddess of Love ashore. She is guided to the island of Cythera – sometimes translated as Kythera - where The Horae, Goddess of the Seasons, waits to receive her and spreads out a flower covered robe in readiness for the Love Goddess' arrival.
Botticelli has emphasised the central figure by going over the outline with a black line.
The title of the painting is misleading according to mythology Venus was actually born from the genitals of Uranus, God of the sky. His son, Cronus - in revenge for his father’s cruelty - had cut them off and thrown them into the sea where the waters formed a froth around them giving life to the fully-formed Goddess.
The idea for the Birth of Venus was possibly provided by the Medici court poet Angelo Poliziano, Botticelli has also taken some inspiration from a hymn by the classical poet Homer. However, it is an unusual subject for the time, as most Renaissance artists used themes from the teachings of the Catholic church for their paintings. The mythological works by Botticelli, The Venus, "Primavera", and "Pallas and the Centaur", typify his pagan phase.