Leonardo's early painting of the Annunciation owes much to the influence of his master, Andrea del Verrocchio. However, it is da Vinci's first major work, a large painting executed by his own hand with, the help of Verrocchio's workshop. In fact, the attribution to Leonardo was only presented in 1867 and the debates about the parts painted by him continued for a long time.
Importantly certain aspects of the painting such as the composition, the Archangel Gabriel and the landscapes are pure da Vinci but agreement on many aspects of attributions remain far from unanimous. Some details of the painting, such as the wings of the angel, have been repainted by another hand and the marble sarcophagus has been copied from a carving by Leonardo's master, Andrea del Verrocchio.
For several years the painting was thought to be the work of Domenico Ghirlandaio or Lorenzo di Credi, Credi was apprenticed to Verrocchio's workshop at the same time as Leonardo. It is feasible that the work is a collaboration between several artists with the final changes completed by Leonardo.
The Annunciation 1472-1475 Oil and Tempera on wood, 78 x 219 cm Florence Uffizi (s)