In 1481 Leonardo was commissioned to paint an altarpiece for the Monks of San Doneto a Scopeto in Florence. The theme was the "Adoration of the Magi", and the contract required delivery of the painting within 24 months with an extension for a further 6 months if required. Unfortunately, because Leonardo had left Florence for Milan, the work was left unfinished. Leonardo’s Adoration features the central figures of Mary
with the infant Jesus on her lap. They are surrounded by an array of characters
who have all come to pay homage to the baby Jesus. Despite the sketchiness of
the work, the placement of the figures conveys a great sense of movement within
Kneeling before Jesus, and being blessed by his outstretched
hand, one of the three Magi (Balthazar) offers his gift of frankincense. The
two figures in the left foreground are the kings Caspar, who bows so low that
he almost touches the ground, and Melchior who kneels with his head raised his
gaze fixed on the Virgin and Child. The background of the work is dominated by an architectural structure
on the left and a battle with riders on horseback on the right. The building is
thought to be the ruins of the palace of King David while the battle scene is a
reference to a time when the three kings were mortal enemies.
Of course, the
Magi made peace with one another on their long journey as they followed the Star
of Bethlehem from their kingdoms in the East.