Although I have seen several reproductions and
countless versions of the image in books over the years, I had not seen La Belle Ferroniere in the flesh until
January 2012. Even in rooms dedicated to Leonardo’s paintings, it radiates from
the gallery walls. This along with the Lady with an Ermine strikes me as being
one of the greatest portraits of all time, it is stunningly beautiful. The
painting is reported to be a portrait of Ludovico Sforza's mistress Lucrezia
Crivelli, however, the identity of the sitter is by no means certain.
Ferroniere was the nickname of a mistress of Henry II of France, and it is
possible that the painting could be Isabella of Aragon. Ludovico’s consort
Beatrice d’ Este is also a candidate for the identity of the sitter.
However, it is
known that Leonardo painted a portrait of Lucrezia Crivelli and it is likely
that this is that picture.
The sitter gazes out
from a dark almost black background. Only her head and shoulders are
illuminated by a light from the front, she is almost lit by the viewer’s eyes.
Her head turns with a twisting motion to her left and her eyes also gaze to the
left complementing the sense of movement within the picture. The features are
wonderfully proportioned, Leonardo has achieved an astonishing smoothness of finish
in the facial tones. She wears a Spanish costume, popular at the time, and a
decoration of beads around her neck. The lower part of the figure is concealed
by a parapet, this gives the sitter a little extra depth.
The vitality and
beauty that Leonardo has achieved with this portrait were acclaimed at the time
when it was first created, the painting’s power to astonish and delight the
viewer has remained unabated for more than 500 years.